Got to Be Something Here: The Rise of the Minneapolis Sound – Andrea Swensson (2017)

Another full disclosure: I have gotten to know author, journalist, broadcaster Andrea Swensson rather well in the past year (as I am currently writing a book about Prince and the Revolution). Andrea is one of the preeminent Prince scholars – she even spent time at Paisley Park with the man – and found time between writing liner notes for yet another Prince legacy box set to whisk me around Minneapolis this past summer touring all the most important places that created one of the great artists of the latter half of the twentieth century. But first, for me, there was Got to Be Something Here: The Rise of the Minneapolis Sound – the most important and comprehensive study of the music, culture, and import of the thriving and influential Minneapolis scene, which stakes a high place in the pantheon of popular music.

Swensson, also a music journalist, radio host, and podcaster, is a proud native of the Twin Cities and leads the reader on a similar tour through the neighborhoods, inside the clubs, and, most importantly, out on the streets of a growing American city through a long journey from jazz, blues, funk, soul, and rock. Lost figures – Black and white – bind together to form a distinctive sound and style that sets the world aflame in the 1980s, but has its deepest roots in each phase of its evolution.

However, it is in the city’s cultural history, specifically its Black and Jewish lower middle-class neighborhoods, where the true art blossomed and pulsed with revolution and extermination, fighting systemic racism, a lack of exposure, and a schizophrenic amalgam of musical aspirations clashing and inspiring a movement. Swensson sets the scenes, puts us in the middle of times that exploded myths and forged new paths.

Got to Be Something Here brims with atmosphere, and there was and is indeed something there worth exploring and celebrating.  

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