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Reality
Check Classics 7/28/99
R.I.P.
WOODSTOCK
Like
all things attached to aberrations and miracles, the legacy of
Woodstock must be allowed to rest in peace. It has become sadly
apparent that to revive its memory only unearths actions barely
resembling anything to do with the word peace.
Glaring
examples of capitalism run amok in the form of 90s’ sponsorship,
and potential record sales eclipse any homage to a time and place
so rare it defies explanation even now. For if Joni Mitchell had
been walking down the road to Rome, New York on the weekend of
July 24, 1999, it is more likely she would have seen less a child
of God, than a Baby Boomer fallout.
Whatever
those who put together Woodstock ’99 might have thought—or offered
up as an excuse, following three days of disgusting accommodations,
ridiculous overpricing, lewd and abusive behavior, blatant acts
of violence, looting, and arson—it can simply be summed up as
the day the piper came looking for his check. Somewhere between
MTV, pay-per-view, and ultra-hip.com, the ripped-off, starving,
unwashed, poser revolutionaries who were bilked by this sham enacted
their vengeance on what surely has to be the last of these hapless
revivals.
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By
the time the miscreants began looting the evil money lenders
and setting fires, Woodstock, as we have come to know and
love it, became just another example of humans misinterpreting
compassion for luck.
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Thirty
years ago, a couple of rich kids got lucky. All they wanted was
to make a few bucks on a burgeoning music culture born out of
a Summer of Love and a stockpile of recreational drugs. The small
town known as Woodstock, nestled in the mountains of Sullivan
County, New York seemed as good a place as any to have what was
fast being known as a music festival.
Home
to artists for most of the century, and by the Summer of ‘69,
host to musicians including the patriarchal Bob Dylan, the town
of Woodstock served as a mini-nirvana for those starved for an
image to summon the crude, but sometimes charming lifestyle begun
in the streets of the East Village in NYC and Haight-Ashbury in
San Francisco. The Woodstock Music and Art Festival didn’t turn
out like the rich kids planned (Actually, it didn’t even take
place in Woodstock, NY, but in nearby Bethel), but it could’ve
been a whole hell of a lot worse.
Nearly
three decades later, other rich folk, coupled with corporate America
and the record industry, decided to press the odds. A 25th Anniversary
weekend went relatively well a few towns south in Saugerties,
NY five years ago, and now it would take place a few miles southeast.
But it was more than decades and miles which separated the 350,00
lost souls who descended on Max Yasgur’s farmland in the Summer
of the moon landing and the Amazin’ Mets, and nearly 230,000 suckers
crammed into an abandoned Air Force base last month. That was
a distance made but for one element: luck.
It should always be noted that the original Woodstock festival
was supposed to be a profit venture. Sadly, for the rich kids
financing it, the thing turned into a financial bath before the
end of day-one. More than half the kids who piled into the festival
waltzed over downed fences. As a result of the unchecked influx
of flower children there wasn’t nearly enough toilets, water,
or space. The New York Thruway, a winding stretch of road as long
as the Mississippi River, was closed. Humanity outweighed the
blue print ten times over. Then came the torrential downpours
and random dissemination of tainted LSD.
But
something significant, some might offer magnificent, happened
over those three miserable days. Through it all, the people survived.
Better yet, they thrived. What originally was supposed to exploit
them, deteriorated into something which transformed them. For
all their antisocial rhetoric, the hippie generation formed a
mini-society which laughed in the face of convention by embracing
its most ardent qualities. This was the story plastered on the
front of the New York Times on the Monday morning after. Crazy
kids with heads full of drugs and hardly a stitch of clothing
or a dollar to spare supported each other for three days of “peace
and music.”
Like
Kennedy’s Camelot, Woodstock has been retrospectively lifted to
epic lore. But for those who found themselves there it was nothing
short of a disaster area. The Who’s Pete Townshend still speaks
of it in horrific terms. Filmmaker Martin Scorcese, who worked
the sound for the award-winning movie, has often described it
as surviving war. Bad acid, bad weather, bad well water, and creeping
sickness turned fields around the stage into Gettysburg without
the rifles.
Yet,
the world continued to wonder if those hearty souls showed the
rest of us a thing or two about the glow of the human spirit.,
where behind the myopic harangue of civilization there is a ring
of collective truth about brotherhood, caring, and the simple,
but significant, act of lifting the person next to you out of
the mud and back on stride.
The
world knows now it was nothing but dumbass luck.
People
would love to blame the senseless violence and looting of this
year’s version of Woodstock on the music, the artists, the culture,
or those empty-headed youngsters whose only sense of self-respect
and responsibility eludes them. But if you find yourself in Limp
Bizkit or Korn right now, a few months, maybe years, from eating
stale bread in your no-heat apartments, you’re taking any gig,
especially a high-paying, high-profile one. And if you need to
scream and yell about how much life sucks to a rapid-fire beat
and three chords to make a buck, may the good Lord bless and keep
you.
Ironically,
many feel that the acts not allowed to perform during the original
Woodstock allowed for the vibe to float rather than sink. There
was a reason why the Doors, with their radical calls for the break
down of reality barriers and invisible social casts, were left
off the bill.
When
the rebellious Satan clan known as the Rolling Stones were told
not to come, Mick Jagger decided to host his own festival on the
hills of San Francisco which resulted in the blood bath forever
known as Altamont.
But
in reality the music didn’t have as much to do with the tragedy
of Altamont as the fascist violence of the Hell’s Angels and the
hippie mismanagement which inevitably led to infamous killings
and another type of bell which tolled for the Baby Boomer peace
and love era.
All
of this had been conveniently forgotten until the pathetic display
of raging capitalism, apathy, and finally violence in Rome last
month. Only this time ignorance cannot be used as an excuse. As
the weekend unfolded it seemed far more attention was paid to
draining patrons of their cash than providing decent camp areas,
ample toilets, showers, or any presence of security. The hundreds
crushed in mosh pits could have been prevented. The overflow of
human secretions hindered somewhat.
By
the time the miscreants began looting the evil money lenders and
setting fires, Woodstock, as we have come to know and love it,
became just another example of humans misinterpreting compassion
for luck. Those stumbling into a wonderful mistake and sliding
through relatively unscathed 30 years ago achieved a level of
fortune rarely reached in the annals of humanity.
The
luck ran out in August of 1969. For the rest of us there is only
an empty vessel of suffering at $169 a pop.
First
Published on 8/11/99 in The Aquarian Weekly. It is included with
many others in jc's new book, Fear No Art
available now on jamescampion.com!
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