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Aquarian
Weekly 12/4/02
REALITY CHECK
RESURRECTING
DIRTY LENNY
The Legal
Persecution of Lenny Bruce Dissected - Part One
Thirty-seven years ago, Lenny Bruce, comedic talent, potty mouth,
satirist, contrarian, blasphemer and grandstand martyr for the
first amendment died in relative poverty, a broken and hounded
victim of free expression. The evidence of his destruction at
the hands of a frightened culture is compiled and preserved as
never before in a new book entitled "The
Trials of Lenny Bruce".
For
my money, this is one of the most important books you will read
this, or any year, whether you care a lick about Lenny Bruce as
a person, an artist or an icon. It is important because it is
the most detailed account of what fear and a bruised American
psyche can do to the ambiguously delicate concept of freedom.
But,
really, why should we care about some hipster junky whose nightclub
act spiraled him into ignominious demise almost half a century
ago?
This
is a question best answered by law professor, David Skover, who
along with co-author, Ronald Collins has created the definitive
study of one of the most curious and pertinent battles for the
constitutional right of political and social dissent in American
history.
"Lenny
Bruce sacrificed his career, his fortune, his very life for the
American principle of freedom of speech," Skover, a law professor
at Seattle University, told me on a recent visit to New York.
"In many ways Lenny embodies the first amendment, and whatever
his failings as a human being, and there were many, he possessed
the courage to speak his mind by the light of his own truth and
with the force of his own voice. And however much that personal
truth offended those who endeavored to silence him, Lenny's battles,
both legal and cultural, made it possible for others to be like
him without having to end up like him."
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"...Lenny's
battles, both legal and cultural, made it possible for others
to be like him without having to end up like him."
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Ironically,
we are on the precipice of an era not unlike the late 50s', early
60s', when Lenny Bruce burst on the cultural scene. For the first
time since the ultra-conservative Eisenhower administration our
government is under a Republican majority. And not unlike the
burgeoning Cold War of yesteryear there is once again an atmosphere
of national lock-down with enemies laying in wait to erase our
way of life. The
effect is a renewed sense of innocence, a desire to hide from
the harsh realities of war and hate and greed that batter our
sensibilities daily. We long to be insulated, blanketed in sweet
dreams of red, white and blue comfort.
Yet
in the bizarre odyssey that is human nature, this craving for
innocence can likely degenerate into ignorance.
"The
fact that we are in a potentially more repressive speech environment
than we've been in for many years is certainly disconcerting,"
Skover remarks when asked about the similarities of his subject's
trials and today's air of political correctness. "It's important
to remember that Lenny Bruce paid our dues to understand that
the first amendment exists to protect political dissent in times
when it is not a popular stance."
Fear.
Since
the tragedy that was 9/11, the American psyche has been damaged.
You can feel it in the air, see it on the news, hear it in our
politicians, listen to it in our music, discuss it with our neighbors;
this rush to suppress anything that might not ring of solidarity
to nation and God and apple pie. Protect ourselves, our children,
our heritage, our freedom by not uttering truths better kept hidden.
At first it is an expected backlash from a national tragedy, an
exercise in healing, but history teaches it's natural for the
body politic to become comfortable with such reactionary tactics
at the price of individual freedom.
Freedom.
Now
there's an interesting term. Lately, we like to toss it around
as an excuse for self-righteous patriotism, racial profiling,
waging war or trading in our civil rights to avoid leaving ourselves
vulnerable again.
Fear.
Freedom.
No
artist or commentator in the history of this nation broached the
core of those two subjects better than Lenny Bruce. Certainly
many carried the torch in bygone centuries, William Hogarth, the
18th century political cartoonist or the 19h century satirist
like Mark Twain to name two, but in the modern light of a media-crazed
latter 20th century, no one bore the brunt of our personal freedoms
than a painfully flawed, but brilliantly courageous Jewish kid
from Long Island.
By
declaring his mission to expose the guise of phony respectability
through a series of comedic routines liberally laced with rousing
vulgarities and penetratingly brutal language, Bruce created a
dangerous persona poised to skewer such taboo subjects as race
relations, political vagaries and the sanctimony of organized
religion. "Dig the lie", Lenny defiantly blurts out on the book's
accompanying cd; a well-stocked collection of interviews, clips
from Bruce's most notorious bits, commentary from his contemporaries
and recollections from the litany of attorneys who aided in his
defense against social persecution. Of course, the "lie" being
anything that emerged from Lenny's fast-paced rhetoric as finely
crafted hypocrisy.
When
asked of Bruce's cultural and legal legacy, Skover is adamant;
"The very point of our work on this book is that although Lenny
Bruce is a little known name in free speech law because none of
his cases ever made it to the Supreme Court, his social relevance
and courtroom dramas changed the first amendment environment in
a very practical way."
Unlike
most historical records aimed at a particular audience, "The Trials
of Lenny Bruce" is a living, breathing testament to our times,
the American times, no matter what generation. It's concentration
on how the law may be manipulated to silence significant social
commentary with neatly wrapped accusatory terms such as obscenity,
blasphemy and national security, is paramount to preserving our
own rights of free expression.
Skover
cites that the obscenity standards, under which Bruce was arrested
in four U.S. cities, including New York, are virtually identical
today. "We have come a long way culturally from Lenny's time,
but even though it is inconceivable today that someone could be
busted in a nightclub for uttering offensive ideologies the letter
of the law has not budged."
NEXT
WEEK: Part II - More with the co-author
of the "Trials of Lenny Bruce" on Bruce's resounding warnings
for our time.
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