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Aquarian
Weekly 11/2/11
REALITY CHECK
CHASING
THE CENTER WHILE KICKIN' 'ROUND THE FRINGE
A Few Crucial Hours On The Run With Admiral
Bernstein
Sometimes you get lost and you find something new.
- Dan Bern
Yeah,
sometimes the Reality Check comes home.
It's
bound to happen.
We
spend a lot of time slashing and burning around here, so of course
it gets hard to differentiate between the slash and the burn;
and sometimes you can barely see a sliver of light between them,
and other times there is no light at all, believe me. So you get
lost in the joke of it all, where the joke is going -- if it hits
Fitzgerald's "High White Note" or when it bottoms out -- but in
all the absurdities of human endeavor we traverse here weekly,
from one hypocrisy to the next, there is very little in the way
of direction or point.
And
that is precisely the point of what this space provides, a pointless
point. For when the rubber truly hits the road, there is no actual
point, and therefore, ipso facto, the point.
Ha!
Don't
worry. You're not confused. I am. Check that -- was confused,
or if not confused at least temporarily off kilter about the space
we inhabit here each week; to provide the service of one voice.
That's all you have, really, One Voice. Unless you begin to stagger
into the hypocrisy area, then you inhabit several and varied voices
that become a cacophony, which is far worse than a pointless point.
To
wit: A few weeks back a friend and colleague, the esteemed novelist
and griper, Vincent Czyz wrote me a one-sentence response to my
overly wise-ass-to-fairly-beaming attempt at defining the Occupy
Wall St. movement. In so doing, Czyz perfectly nailed the entire
milieu in which we merrily occupy -- for 15 years here and for
many more before that in a host forms.
"Perhaps
my memory is faulty," Czyz wrote. "But I, while I have seen lots
and lots and LOTS of world-weary, jaded, I-know-how-this-is-all-going-to-turn-out-better-than-you
(you poor deluded suckers) criticism in your columns, I don't
recall ever seeing a solution. Not a serious one anyway."
Ah,
this not only struck a chord, but a big fat G-Chord on a beautiful
Gibson Songwriter Series, a fantastic piece of American engineering
that I broke down to purchase a few years back and trust me when
I tell you that for my dollar it can ring out a fucking big-fat-god-fearing
G chord like no other guitar in existence.
"Oh,
my friend," I returned in earnest. "You have nailed this one.
Never has it been put more on the nut than that. It shall go on
my urn."
And
it shall.
But
since I am not ready for my urn just yet, I spent most of the
following week thinking of how I would broach this absolute truth
to my readers; get out from under the mask, flick on the light,
face the mirror and describe the scars. Hell, I can do this. I'd
done it before in this space. Get real for a few words. Come out
from behind the curtain and try and explain what solutions I may
offer or if I believe in anything, and if so, for more than a
fleeting burp or a gin high.
Nothing
came.
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What
happens on the fringe stays on the fringe.
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At
least nothing worth writing, or if it got out at all, reading.
So I decided instead to address the Youth of America, as old a
rant as there is in the annals of middle-age commentary. I have
volumes of garble on my shelves by aging scribes giving half-assed
advice about "not fucking up like I fucked up" crap from Norman
Mailer to Pete Hamill. This is what happens to writers, especially
decaying male ones. I have seen it with my own eyes. I have listened
to their wounded call, like the dying elephant walking proudly
to its final resting place. Not everyone could feel good and write
about feeling good and mocking you for not feeling as good as
Henry Miller did until his last breath. That bastard had better
be in heaven. He sure as shit carved out a chunk of it here.
So,
in my malaise of self-examination, into town blows Admiral Bernstein,
aka Dan Bern, songwriter, troubadour, novelist, painter, and one-time
guest columnist to this space. Bernstein has been to me and my
artist/yoga/Vegan crazy-person wife, a dear friend and sounding
board, a brother-in-arms, a fellow wise-ass in the great hall
of wise-ass fame. We have run the gamut with The Admiral that
has been only broached in public by any of us; from the deserts
of New Mexico to the Lower East side.
What
happens on the fringe stays on the fringe.
Turns
out, in his usual perfect timing, Bernstein is on the road again
and through the Big Town. Sure, I thought, a few minutes with
The Admiral will provide daylight.
First
stop was the shores of the Hudson at an aging theater under construction
called The Beacon in Beacon, NY. The stage was set up in its vast
lobby, making its ironic backstage a massive, ornate 1930s' rotunda,
where we shared Thai food and discussed of all things parenthood.
Because
that's where we are now, bub. He has a girl; a beautiful brown-bob,
button-nosed, round-eyed cherub, who I would be humbled to meet
the following night, and me and the crazy-person with our own
striking, dirty-blonde, giant green-eyed, ruby-lipped gal. The
Fringe dwellers deep into the center; a place we would occasionally
visit but could never hang for too long, but now with the beauties
hanging on every word and calling you dangerous things like "Daddy",
it is indeed a Reality Check.
And
so we spoke of fatherhood and writing (songs and other stuff)
and personal evolution in the grand scheme of that madness, during
which the man said, "You're on a roll, keep it up, you're doing
a great thing; they can't put a label on you" or something gut-punching
like that. And then he hit the stage, pulled out his own G-fat
Gibson and played some of the most heartfelt of his songs, new
ones like "Economy" and "Party By Myself" and a gorgeous song
about Merle Haggard, Johnny Cash and George Jones; a country ballad
about maturing and teaching and understanding where you're from
and guessing where you'll end up.
We
left with hugs and a sense that it wasn't enough for me. I needed
to run the streets with Bernstein again; feel the aura of those
far-off days of fist-pumping creativity. And so we met the next
day downtown to toss around why we're never sure that what we
do is what we actually do and if so what's the point? We spoke
about why we love films, baseball, Spain, beer, J.D. Salinger;
road a van up Fourth Ave., ate Indian food with these really great
guys from Common Rotation, an L.A. band I plan on writing more
about. I watched the entire clan play songs at a magazine, made
vacillating top-five lists on Tom Waits and Woody Allen backstage
across the street from the Village Voice at Joe's Pub, and before
I left we promised each other to never again search for a point
in the grand pointless dance.
We'll
just dance.
And
that is where we found our center.
Okay,
Admiral?
I'll
see you back on the fringe.
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