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Aquarian
Weekly 9/15/10
REALITY CHECK
DEEP
TANK TO WEIRD BLOOD
Jersey Shore Music Icon Rob Monte Says Good-Bye
(For Now)
It's
a steamy, late-afternoon on the Friday before the titular summer's
end and Robert Montesdeoca, aka Rob Monte, The Columbian Freak
Boy is about to head southeast to do what he has done for the
past 20 years; sing, prance and entertain over every inch of a
packed barroom. He will do it as he always has; in front of a
popular New Jersey rock band. He will make a lot of money for
some and some for himself. It is business as usual for the grizzled
stage warrior. This time, however, is different. This time will
be his last. The long, rock & roll road ends for the man most
know as merely Monte this Labor Day Weekend 2010. He is calling
it quits after some 20 years of running amok on the famed Jersey
Rock Circuit; much of it a blur and all of it chock full of what
he politely calls "reckless abandon" while "feeling very comfortable
playing it by the seat of my ass."
"I
am one-hundred percent ready" he tells me when I ask if this is
truly it. "But for awhile I felt guilty saying it aloud or to
anyone, because I might disappoint them."
That's
always been the nut for Rob Monte, who took every show, hell,
every song to be a long walk to the gallows, as if tomorrow was
a rumor and squeezing every last inch of a Saturday night meant
a little bit more than everything.
There
is weird blood running in the man's veins, much of it tainted
with alcohol and the gripping fear that someone in his presence
might not be having the time of their lives. It's a rough gig
spending nearly an entirety of an adult life convincing audiences
that infinite merriment is tangible while the clock has other
ideas.
"It
was a unique period," he exhales, before packing his kitbag of
lunacy for one last go-round, two-decades of memory working its
way through the fog. "Beer funnels? You can't do that in clubs
anymore, bro! People think that was the dark ages -- hundreds
of people smoking in clubs? The drinking and driving? The complete
chaos?"
His
voice cackles over the phone line and it sends a chill down my
spine. I have heard that laugh before, a broken gravel of a coughing
guffaw, fused with a kind of mischief that knows soon there will
be danger afoot. "Whatever the formula was, it worked," he admits
with confidence. "Even with everyone trying to reel me in, there
I was deep in some Irish drinking contest off stage, while the
band figured it out."
And
the "figuring out" is what made the incredible professionals Monte
has played with over the years so fascinating. There are far too
many to name here, but know they are brave subjects in an improbable
conquering horde of weekend marauders just the same.
"The
bands? Four sober guys following along, hanging with me, I want
to thank all of them. Thank them or apologize!" Monte laughs,
but then there is a serious shift to his tone. "Hey, there was
trouble sometimes, but once the club read the register they'd
forgive us."
Monte's
story is hardly unique. It is but one of thousands played out
across this great land, where somewhere tonight there are hard-bitten
dreamers tossing about elusive glories in cover tunes and original
numbers; piano troubadours and harp-mouthed folkies and jazz cats
and sing-song beauties putting on one more show for one more dollar
and one more round of applause. But here in New Jersey, when a
man steps down from his well-earned throne as King of Long Beach
Island, it is pretty big news. For the mythical, radical, hysterical
place I once called Clubland in my book, Deep Tank Jersey,
it is monumental.
As
far as icons go, if there is such an animal trolling the sordid
corridors once inhabited by the likes of Bruce Springsteen and
Bon Jovi, Rob Monte sure as hell is. He has fronted several bands
of varying degrees of reputation and earning power for the past
two decades, the most lucrative and history making is DogVoices,
the birth of which during its most lavishly successful summer
is depicted in the aforementioned book by yours truly. Therefore,
Monte's swansong is also a somewhat selfish personal tribute for
this space. It can be argued that without Deep Tank Jersey
and the wild events of the summer of 1995, the access and honesty
of the original five members of DogVoices, and all those clubs
and roadies and fans and wonderfully colorful hangers-on, there
may not be a Reality Check News & Information Desk.
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There
is weird blood running in the man's veins, much of it tainted
with alcohol and the gripping fear that someone in his presence
might not be having the time of their lives. It's a rough
gig spending nearly an entirety of an adult life convincing
audiences that infinite merriment is tangible while the
clock has other ideas.
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So
blame the whole damn thing on Monte, who was foolish enough to
allow the sordid tale of young men treading the floorboards from
Atlantic City to Clifton to be recorded for posterity.
Lord
knows it is hard for me to believe a word of it today, and I wrote
the damn thing. Worse still, I lived it. Barely. Like most of
the poor souls who stepped into a Jersey Rock Club looking for
a good time but were assaulted with a strange combination of burlesque
and mud wrestling soaked in gallons of beer and sweat. Rob Monte
the ringmaster of it all, from midnight ocean dives to launches
from the odd hotel roof, impromptu strip shows and Tequila-shot
binges, bar dancing and a rabble of dawn seekers thrown into the
spotlight for an inch of what Monte has come to call home.
It
is a home he never takes for granted as he continued to review
his incredible run at a pace that would have killed several if
not all other men not named Keith Richards.
"I
plan on playing my last gig at the Ringside Pub in January," he
says with pride. "The owner, Bob Harper is a friend and mentor.
I started there, and I should end there."
Along
with the Ringside, a modest but hopping rock venue in the hamlet
of Caldwell, there is the now-defunct Wally's and Nickel's Alley,
Wild Mike's, the Wreck Room, and the legendary Mother's, all of
them outlasted by the unsinkable Columbian Freak Boy.
Then
there is the cash cow for any serious full-time cover band; the
Jersey Shore, where for 18 consecutive years Monte has plied his
trade at Nardi's, the Sea Shell and of course, Bar A. "I have
to play Bar A once more in December," Monte says. "My craziest
stunts may have happened there. I broke ribs jumping off that
balcony. The owner, Tom Jannarone has always been there for me."
The
center of Monte's universe for nearly 20 years has been Long Beach
Island, known to many in the tri-state area as an interesting
amalgam of quiet, sunny family getaways and completely maddening
midnight parties, the latter of which became the central force
in an impressive career of playing popular songs of the day with
a splash of carnival folly.
"The
Quarterdeck, Sea Shell, Nardi's, Joe Pop's, you could play over
four days without ever leaving the island," Monte chuckles, as
if struggling to recall earlier triumphs.
Now,
placing it all into perspective, he can securely move into a fulltime
career mentoring younger bands with his newly formed Monte Booking
Agency, where the man himself tutors his acts to steer clear of
the Monte Method.
"No
way Monte could survive now," he says, speaking in the third person
as if this Monte creature is a thing of fiction. "Most of the
bands I book now don't know about the Deep Tank Jersey
years. I tell them to do the opposite!"
And
what about any parting words, a final stage dive or perhaps a
Daffy Duck self-immolation jag?
He
laughs again and sighs; "I cannot plan anything. It goes against
everything I've done as an entertainer. So there'll be no final
song. No canned speech."
Whatever
it will be, its toll will end one part of an implausible career,
close an era, and provide another reason for those who were there
to recall the past.
For
me, I wish good luck to my friend, a long-gone protagonist in
my first published work.
And
good luck to the rest of the Weird Blood who dare scour the depths
of what is left of the Deep Tank.
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